![]() This paper uses Visual Semiotics to analyse a representative CRV (I Am Not Moving) and shows how this critical video is equally susceptible to ideological influence by revealing the alternative or oppositional ideologies embedded within it. In many cases, CRVs seek to expose dominant ideologies embedded in mainstream media messages, for example authoritative journalism, persuasive advertising or political broadcasts. ![]() Ĭritical Remix Video (CRV) is an emerging form of experimental video art activism that uses as raw materials previously published, often copyrighted audio-visual content in order to critique perceived wrongs and injustices or make political statements. International Conference Technologically Expanded Dance, Lisbon, Portugal, FMU TU Lisbon, Culturgest. Daflos, «Music box c(2)ipo_06» in Daniel Tercio (ed.), TeDance, perspectives on technologically expanded dance, Lisbon: fMH, 2008, p. ![]() In fact, the reader will find the four mentioned areas not just as unambiguous vertices, but as attractors for traces of unequal intensities. In this book, the reader may find a set of texts by both Portuguese and foreign researchers and art critics, giving extra volume to the original frame. At its inception, it sought to establish connections between four areas - motion capture, augmented reality, character animation and choreography - an experimental and artistic perspective. TeDance began as a project supported by the Foundation for Science and Technology. And this, in fact, is something that dance - perhaps more than any other performance art - never tires of reminding us. We believe that the body is at the center of this changing form. ![]() ![]() This book is not, however, a 'reader', but rather a contribution in order to to better understand the varying geometry of this cubic form that receives new additions in every moment. ![]()
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